SF and Story


I tend to write “hard” science fiction, that is, science fiction with some actual science in it. The fantasy elements aren’t allowed to randomly trample what we know about the physical universe.  The boundaries between hard and soft SF are fluid. Truth is, science is just one of the many strands that woven together make us, collectively, who and what we are. It’s an expression of our natural and so very human curiosity. Where it will lead us, we never know in advance.

Consider the Eiffel Tower.

It was built for the International Exposition of 1889. Its winning design was selected in the face of a storm of criticism over its audacious break with tradition. Critics howled at the planned desecration of the Parisian skyline! Twenty years later the exposition concession expired—and the Eiffel Tower was slated for demolition.  But that didn’t happen, and thereon hangs a tale..

In 1864, Cambridge professor James Clerk Maxwell had manipulated the equations that bear his name to predict that electromagnetic energy could travel through space at the speed of light.  This prediction was experimentally verified a quarter-century later by Heinrich Hertz—but only over very short distances. Would it hold true for longer distances? In 1901 Guglielmo Marconi demonstrated that electromagnetic energy could be transmitted and detected at great distances: in a dramatic flourish he sent a signal clear across the Atlantic Ocean!

The received signal was, however, incredibly weak. This meant that equally incredible power had to be poured into a transmitter to reap even a barely detectable signal at the other end. This made communication by radio slow, uncertain, and expensive—but not for long. The triode vacuum tube, invented by Lee De Forest, changed everything overnight: the triode was the first electronic amplifier, able to accept weak signals and multiply them into currents large enough be handled with ease and convenience.This was in 1907, and it was still topical news when the Eiffel Tower’s lease was up.

When built the tower was approximately twice as tall as any other above-ground structure in human history. As such it was virtually made to order as an antenna tower. But would it serve? Would the Eiffel Tower really work as a radio antenna?  It would, and it did—and it was saved. (In fact, eventually 17 meters were added to the top, in the form of a television broadcast antenna. Again, the critics howled.)

Hard science fiction has on occasion worshiped technology at the expense of humanistic or spiritual values. Yet consider how that the Eiffel Tower stands today because of its unforeseen utility in the era of modern electronic communications. And ponder how  you’re reading these words on a screen built into what’s usually known as a “computer.” It may be a dedicated reader platform, or a smartphone, or a laptop device—but whatever it is, you probably use it for communicating, not for computing. You use it to bridge the chasm between yourself and your fellow human beings.

I use electronic impulses to communicate with my readers, to tell stories.  Story is something human beings have done for as long as human beings have existed. The screen at which you’re looking right now, along with the stack of books that are undoubtedly nearby, along with the Eiffel Tower, witness to our mutual need to speak, to listen, to hold, to aspire, and to dream.

And I have a new novel finished – a story with science and humanity, adventure and romance, and many unexpected surprises.  I can hardly wait to transmit it to the world. . . .


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